The Last Namsara

by Kristen Ciccarelli

Book 1 of the Iskari series

The Last Namsara by Kristen Ciccarelli is a dragon-filled fantasy about forbidden stories, rebellion, and a fierce heroine challenging the myths used to control her world.

The Last Namsara by Kristen Ciccarelli is the opening novel in the Iskari series, a bold fantasy that reclaims dragon mythology and reshapes it into a story about power, fear, and self-determination. Drawing on folklore-inspired worldbuilding and emotionally driven storytelling, the novel challenges traditional fantasy narratives where monsters are hunted and myths go unquestioned.

Set in the desert kingdom of Firgaard, the story follows Asha, a disgraced princess known as the Iskari - a legendary dragon slayer. In Firgaard, women are forbidden from killing dragons, a rule enforced through religion, law, and fear. Dragons are blamed for humanity’s suffering, and stories about them are banned, as speaking of dragons is believed to summon them. These myths are used to justify violence and maintain control.

Asha’s role as a dragon slayer is not one of honour but punishment. Forced to hunt dragons to atone for a past failure, she exists on the margins of power, both feared and exploited. Her life changes when she encounters a dragon who does not behave as legend dictates, forcing her to question everything she has been taught about monsters, truth, and herself.

At its core, The Last Namsara is a story about myth versus truth. Ciccarelli explores how stories are weaponised by those in power, shaping belief and behaviour across generations. Dragons are not mindless beasts but ancient, intelligent beings with their own rules and histories. This inversion places the burden of cruelty not on monsters, but on systems built on fear.

Asha is a compelling strong female protagonist, driven by anger, resilience, and a desire for agency rather than heroism. She navigates a world defined by rigid expectations, confronting morally grey characters whose actions are shaped by survival and ambition. Her journey is not about reclaiming glory, but about reclaiming voice and choice.

Political intrigue weaves throughout the narrative as royal power, religion, and rebellion collide. Alliances shift, secrets unravel, and the cost of truth becomes increasingly clear. Despite its action and spectacle, the novel remains emotionally grounded through themes of found family, loyalty, and identity.

The Last Namsara is ideal for readers who love Fantasy that centres dragons while interrogating the myths surrounding them. Fierce, thoughtful, and subversive, it launches the Iskari series with a story that asks a powerful question: who benefits from the stories we are told - and who suffers because of them?

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